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Introduction
The principal theme of my research is how drawing mediates
knowledge. This study is necessarily interdisciplinary, because
art is not the only practice to have claimed drawing as fundamental.
Although my 'home territory' is the interpretation of art works,
I also find my topics in the fields of architecture, astronomy,
mathematics, cartography and engineering.
My historical focus is the twentieth century. My PhD study Structural
Constellations, on the drawings of Josef Albers (1888–1976),
examined key aspects of modernism, its prehistory and its legacy
— in particular, the historical entanglement of art and geometry
— for a reasssesment of the European avant-gardes of the interwar
years and of the 'late modernist' period in the United States after
1945. My topics include: The teaching and application of technical
drawing in the nineteenth century and its legacy in modernist discourse,
The early reception of Cubism, Lissitzky's Constructor,
van Doesburg's Nouvelle Dimension, Albers's Structural
Constellations.
My methodologies have been elaborated in close connection with
concrete studies. I traced the modalities of the term Konstellation
in the historical-philosophical work and personal writings of Benjamin
and Adorno and its role in their epistemologies. I use the notion
of constellation reflexively in my work. In my study 'The Semiotics
of Star Maps', I advanced an interpretation of Peirce’s semiotics
(specifically, reconciling ‘reagents’ and ‘designators’
in Peirce’s notion of ‘indexical’ signs and resolving
indexical functions and processes).This study provided valuable
tools for analysing 'mapping figures' such as projection and the
grid when they appear in art works.
Please use the links on the left to
view a synopsis of my PhD dissertation,
an outline of my current research, conferences
and publications. You can also download
my dissertation (not including the catalogue
of drawings by Albers) or extracts from
it. My CV is also available.
Anthony Auerbach
Anthony Auerbach is currently Researcher
in the Theory Department of Jan van
Eyck Academie, Maastricht, Netherlands.
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